This write-up may sound a bit strong but the issue should, in fact, be discussed.
Making Light: The Associated Press wants to charge you $12.50 to quote five words from them
There are different ways to look at these, whether or not people are taking sides. My personal perspective is that these rules The AP is trying to set may contribute to a very important chilling effect and that, in the long run, AP publications will suffer. I also think that we should strive to reach some form of agreement as to rules involving copyright. Laws don’t come in a vacuum.
I do hope they realize it. The infamous, and famously exploitative, lobby group for “intellectual property” is ultimately going to lose.
Signs of their ultimate demise abound in the actions of both the RIAA and the MPAA (as well as equivalent lobby groups in other North America and Europe). These people just don’t get it.
Been laughing out loud at some comments about the recent debate over the alleged benefits of extending British copyright for performing artists over the fifty years that anyone in their right mind would think is fair. Even some musicians are revealing the lack of breadth in their argument: they just want to be able to live off the money from their recordings from the late 1950s and early 1960s. That would stimulate innovation how, exactly? The fact that it took these people that long to realize that copyrights are meant to be temporary is preciously funny. “Oh, wait! I thought I was supposed to keep my monopoly over these recordings forever.”
Also funny is the stance of Apple Corps. and the remaining Beatles over what should be done with their music. Their first recordings will come out of copyright in the UK (and several other places) in a few years. Instead of taking advantage of the situation by making sure that the last people who by their music get added value, they prevent online music stores from selling their tracks and release a set of anachronistic remixes. Weird.
Been thinking for a while about a type of “two cultures” theory. What Larry Lessig calls “Free Culture” on one side and “Commerical Culture” on the other. The meaning of “culture” used in those cases can be relatively close to anthropological concepts, though it’s also about “creative culture,” including arts and entertainments. In the U.S. of A., Lessig’s primary target, “free culture” seems to be under attack. Elsewhere, it florishes. In any way we think about it, “free culture” is more beneficial for the greater group than a “closed culture,” whether it’s based on commercial value, on jealousy, or both. If we think competitively, there is little doubt in my head that “free culture” will eventually win and that U.S. “commercial culture” (or “permission culture,” as Lessig calls it) will collapse, bringing down a large part of U.S. society.
That is, unless some people finally wake up.