Why Is PRI’s The World Having Social Media Issues?

Some raw notes on why PRI’S The World (especially “The World Tech Podcast” or WTP) is having issues with social media. It may sound bad, for many reasons. But I won’t adapt the tone.

No offense intended.

Thing is, I don’t really care about WTP, The World, or even the major media outlets behind them (PRI, BBC, Discovery).

Reason for those notes: WTP host Clark Boyd mentioned that their social media strategy wasn’t working as well as they expected. Seemed like a nice opportunity to think about social media failures from mainstream media outlets.

My list of reasons is not exhaustive and it’s not really in order of importance.

Social media works best when people contribute widely. In other words, a podcaster (or blogger, etc.) who contributes to somebody else’s podcast (blog, etc.) is likely to attract the kind of mindshare afforded social media outlets. Case in point, I learnt about WTP through Erik Hersman because Afrigadget was able to post WTP content. A more efficient strategy is to actually go and contribute to other people’s social media.

The easiest way to do it is to link to other people, especially other blogs. Embedding a YouTube video can have some effects but a good ol’ trackback is so much more effective. In terms of attention economy, the currency is, well, attention: you need to pay attention to others!

Clark Boyd says WTP isn’t opposed to interacting with listeners. Nice… Yet, there hasn’t been any significant move toward interaction with listeners. Not even “letters to the editor” which could be read on the radio programme. No button to leave audio feedback. Listeners who feel they’re recognized as being interesting are likely to go the social media route.

While it’s a technology podcast, WTP is formatted as a straightforward radio news bulletin. “Stories” are strung together in a seamless fashion, most reports follow a very standard BBC format, there are very few “conversations” with non-journalists (interviews don’t count as conversations)… Such shows tend not to attract the same crowd as typical social media formats do. So WTP probably attracts a radio crowd and radio crowds aren’t necessarily that engaged in social media. Unless there’s a compelling reason to engage, but that’s not the issue I want to address.

What’s probably the saddest part is that The World ostensibly has a sort of global mission. Of course, they’re limited by language. But their coverage is even more Anglo-American than it needs to be. A far cry from Global Voices (and even GV tends to be somewhat Anglophone-centric).

The fact that WTP is part of The World (which is itself produced/supported by PRI, BBC, and Discovery) is an issue, in terms of social media. Especially given the fact that WTP-specific information is difficult to find. WTP is probably the one part of The World which is savvy to social media so the difficulty of finding WTP is made even more noticeable by the lack of a dedicated website.

WTP does have its own blog. But here’s how it shows up:

Discovery News: Etherized.

The main URL given for this blog? <tinyurl.com/wtpblog> Slightly better than <http://tinyurl.com/6g3me9&gt; (which also points to the same place). But very forgettable. No branding, no notion of an autonomous entity, little personality.

Speaking of personality, the main show’s name sounds problematic: The World. Not the most unique name in the world! 😉 On WTP, correspondents and host often use “the world” to refer to their main show. Not only is it confusing but it tends to sound extremely pretentious. And pretention is among the trickiest attitudes in social media.

A strange dimension of WTP’s online presence is that it isn’t integrated. For instance, their main blog doesn’t seem to have direct links to its Twitter and Facebook profiles. As we say in geek circles: FAIL!

To make matters worse, WTP is considering pulling off its Facebook page. As Facebook pages require zero maintenance and may bring help listeners associate themselves with the show, I have no idea why they would do such a thing. I’m actually having a very hard time finding that page, which might explain why it has had zero growth in the recent past. (Those who found it originally probably had friends who were adding it. Viral marketing works in bursts.) WTP host Clark Boyd doesn’t seem to have a public profile on Facebook. Facebook searches for WTP and “The World Tech Podcast” don’t return obvious results. Oh! There you go. I found the link to that Facebook page: <http://www.new.facebook.com/home.php#/group.php?gid=2411818715&ref=ts&gt;. Yes, the link they give is directly to the new version of Facebook. Yes, it has extra characters. No, it’s not linked in an obvious fashion.

That link was hidden in the August 22 post on WTP’s blog. But because every post has a link with “Share on Facebook” text, searching the page for “Facebook” returns all blogposts on the same page (not to mention the “Facebook” category for posts, in the right-hand sidebar). C’mon, folks! How about a Facebook badge? It’s free and it works!

Oh, wait! It’s not even a Facebook page! It’s a Facebook group! The difference between group and page seems quite small to the naked eye but ever since Fb came out with pages (a year or so ago), most people have switched from groups to pages. That might be yet another reason why WTP isn’t getting its “social media cred.” Not to mention that maintaining a Facebook group implies just a bit of time and doesn’t tend to provide direct results. Facebook groups may work well with preestablished groups but they’re not at all effective at bringing together disparate people to discuss diverse issues. Unless you regularly send messages to group members which is the best way to annoy people and generate actual animosity against the represented entity.

On that group, I eventually learn that WTP host Clark Boyd has his own WTP-themed blog. In terms of social media, the fact that I only found that blog after several steps indicates a broader problem, IMHO.

And speaking of Clark Boyd… He’s most likely a great person and an adept journalist. But is WTP his own personal podcast with segments from his parent entity or is WTP, like the unfortunately defunct Search Engine, a work of collaboration? If the latter is true, why is Boyd alone between segments in the podcast, why is his picture the only one of the WTP blog, and why is his name the domain for the WTP-themed blog on WordPress.com?

Again, no offence. But I just don’t grok WTP.

There’s one trap I’m glad WTP can avoid. I won’t describe it too much for fear that it will represent the main change in strategy. Not because I get the impression I may have an impact. But, in attention economy, “the squeaky wheel gets the grease.”

Oops! I said too much… 😦

I said I don’t care about WTP. It’s still accurate. But I do care about some of the topics covered by WTP. I wish there were more social media with a modicum of cultural awareness. In this sense, WTP is a notch above Radio Open Source and a few notches below Global Voices. But the podcast for Global Voices may have podfaded and Open Source sounds increasingly U.S.-centric.

Ah, well…

New/Old Media: NYT Groks It

As an obvious example of “Old Media” in the U.S., The New York Times is easy to criticize. But the paper and the media company have also been showing signs that maybe, just maybe, they are home to people who do understand what is happening online, these days.

Back in September 2007, for instance, the NYT decided to make its content freely available. While The Times wasn’t the first newspaper to free its content, the fact that the “newspaper of record” for the United States went from a closed model (TimesSelect) to an open one was quite consequential. In fact, this NYT move probably had an impact on the Wall Street Journal which might be heading in a similar direction.

The Times‘s website also seems to have progressively improved on the blogging efforts by some of its journalists, including composer and Apple-savvy columnist David Pogue.

Maybe this one is just my personal perception but I did start to read NYT bloggers on a more regular basis, recently. And this helped me notice that the Times wasn’t as “stuffy and old” as its avid readers make it to be.

• SIGN IN TO E-MAIL OR SAVE THIS
• PRINT
• SINGLE PAGE
• REPRINTS
• SHARE

Possibly the silliest detail which has been helping me change my perception of the New York Times was the fact that it added a button for a “Single Page” format for its articles. A single page format is much more manageable for both blogging and archiving purposes than the multiple page format inherited from print publications. Most online publications have a “printer-friendly” button which often achieves the same goal as the NYT’s “single page” button yet, quite frequently, the printer format makes a print dialogue appear or is missing important elements like pictures. Not only is the NYT’s “Single Page” button a technical improvement over these “printer-friendly” formats but it also seems to imply that people at the Times do understand something about their online readers.

This “Single Page” button is in a box, with other “article tools” called “Print,” “Reprints,” and “Share.” The “sharing” features are somewhat limited but well-integrated. They do make it easy for some social networkers and bloggers to link to New York Times content.

FWIW, my perception of this grande dame of print publications is greatly influenced by my perception of the newspaper’s blog-friendliness.

Speaking of blog-friendly… The major news item making the New York Times Company seem even more sympathetic to bloggers is the fact that it has contributed to a round of funding which provided WordPress.com’s parent company Automattic with 29.5 M$.

Unsurprisingly, Automattic’s founder Matt Mullenweg blogged about the funding round. Candidly recounting the history of his company, Mullenweg whets our appetites for what may be coming next in WordPress and in other Automattic projects:

Automattic is now positioned to execute on our vision of a better web not just in blogging, but expanding our investment in anti-spam, identity, wikis, forums, and more — small, open source pieces, loosely joined with the same approach and philosophy that has brought us this far.

While some of these comments sound more like a generic mission statement than like a clear plan for online development, they may give us a glimpse of what will be happening at that company in the near future.

After all, chances are that integrating technologies will be one of the Next Big Things. In fact, some other people have seen the “social networking” potential of WordPress.com, though this potential is conceived through a perspective different from my original comments about WordPress.com’s network effect. Guess I’ll have to write a wishlist for WordPress.com features (including support for ubiquitous social networking, podcasting, and learning management).Still, what the funding announcement means to me has more to do with the integration of “Old Media” (print publications like The New York Times) and “New Media” (online services like WordPress and WordPress.com). As luck would have it, I’m not the only blogger who thinks about the positive effects this Old/New Media integration may have.

As an aside, to this Austinite and long-time sax player, Matt Mullenweg’s Texas and saxophone connections are particularly endearing. Good thing I’m not an investor because I would probably follow my gut feeling and invest in Automattic for such irrational reasons.

Ah, well…

ROS as a Podcast

Good news and bad. Radio Open Source is going on a summer hiatus but it might in fact come back as a “new and improved” podcast.

Open Source » Blog Archive » We Interrupt This Program…

Many of you have told us to forget about conventional public broadcasting and concentrate on producing the best damn podcast on the Internet. So in order to clear our heads, accentuate the positive and focus resolutely on the future, we need to step back for the moment from daily production.

In the past, I haven’t been coy about my opinion of that show. In fact, I’m truly grateful to the staff for letting me know that my comments were read by some of the producers. Despite the tone, mine was a “modest proposal” and I’m quite glad that it has been read.

This ROS summer hiatus puts things in a slightly different perspective. Especially with regards to number-crunching. I tend to be more of a qualitative type but figures matter to a lot of people. In this case, audience numbers and monies.

The crux of the matter for ROS is funding. The radio program just lost a major sponsor. They received a sizable grant and impressive donations but, apparently, these barely covered debt. In the podcasting context, this sounds a bit awkward. Most amateur podcasts run on extremely tight budgets. Radio experts are likely to say that amateur podcasts are also, on average, poorly produced. Yet, as a listener of podcasts produced in both national and home studios, I must honestly say that I barely notice the difference. Radio experts may also say that it costs money to invite the type of guests who make a radio show a success. Yet interviews on amateur podcasts are often as insightful as what I hear on most radio shows, including ROS. I know there are many other costs associated with radio shows but for a podcast listener, it’s really hard to “hear” where the money goes.

The other type of quantative data relevant in this situation: audience numbers. While a few amateur podcasts have impressive audience numbers, it’s quite possible that the ROS audience is wider than the total number of podcast listeners in the United States. I have no idea what the numbers are but though it often sounded as an Eastern Massachusetts show, Radio Open Source is a U.S.-wide broadcast, AFAIK. It’s also a far-reaching show in terms of target audience. Despite the “Web” references, the show is quite wide in scope.  Still, it’s a bit more niche-like than the typical talk show. Which does make it more like an actual podcast.

Don’t have much time right now to go into details but I think this situation makes it plain to see what differences between podcasts and broadcasts are. And I wish there can be an actual podcast produced by the ROS team. The team is great and it’s podcast-friendly. If the blog explosion happened through out-of-work software developers (after the Internet Bubble Burst), there can be a podcast explosion through out-of-work radio producers!

What Radio Open Source Should Do

I probably think too much. In this case, about a podcast and radio show which has been with me for as long as I started listening to podcasts: Radio Open Source on Public Radio International. The show is hosted by Christopher Lydon and is produced in Cambridge, MA, in collaboration with WGBH Boston. The ROS staff is a full team working on not only the show and the podcast version but on a full-fledged blog (using a WordPress install, hosted by Contegix) with something of a listener community.

I recently decided not to listen to ROS anymore. Nothing personal, it just wasn’t doing it for me anymore. But I spent enough time listening to the show and thinking about it, I even have suggestions about what they should do.

At the risk of sounding opinionated, I’m posting these comments and suggestions. In my mind, honesty is always the best policy. Of course, nothing personal about the excellent work of the ROS team.

Executive summary of my suggestion: a weekly spinoff produced by the same team, as an actual podcast, possibly as a summary of highlights. Other shows do something similar on different radio stations and it fits the podcasting model. Because time-shifting is of the essence with podcasts, a rebroadcast version (instead of a live show) would make a lot of sense. Obviously, it would imply more work for the team as a whole but I sincerely think it would be worth it.

ROS has been one of the first podcasts to which I subscribed and it might be the one that I have maintained in my podcatcher for the longest time. The reason is that several episodes have inspired me in different ways. My perception is that the teamwork “behind the scenes” makes for a large part of the success of the show.

Now, I don’t know anything about the inner workings of the ROS team. But I do get the impression that some important changes are imminent. The two people who left in the last few months, the grant they received, their successful fundraiser, as well as some perceivable changes in the way the show is handled tell me that ROS may be looking for new directions. I’m just an ethnographer and not a media specialist but here are some of my (honest) critical observations.

First, some things which I find quite good about the show (or some reasons I was listening to the show).

• In-depth discussions. As Siva Vaidhyanathan mentioned it on multiple occasions, ROS is one of few shows in the U.S . during which people can really spend an hour debating a single issue. While intriguing, Siva’s comparison with Canadian shows does seem appropriate according to my own experience with CBC and Radio-Canada. Things I’ve heard in Western Europe and West Africa would also fit this pattern. A show like ROS is somewhat more like The New Yorker than like The New York Times. (Not that these are innocent choices, of course.)
• Research. A lot of care has been put in preparing for each show and, well, “it shows.” The “behind the scenes” team is obviously doing a great job. I include in this the capacity for the show to entice fascinating guests to come on the show. It takes diplomacy, care, and insight.
• Podcasting. ROS was one of the first “public radio” shows to be available as a podcast and it’s possibly one of the radio shows for which the podcasting process is the most appropriate. Ease of subscribing, relatively few problems downloading shows, etc.
• Show notes. Because the show uses a blog format for all of its episodes, it makes for excellent show notes, very convenient and easy to find. Easy to blog. Good trackback.
• The “Community.” Though it can be troublesome at times, the fact that the show has a number of fans who act as regular commentators on the blog entries has been an intriguing feature of the show. On occasion, there is a sense that listeners can have some impact on the way the show is structured. Few shows on public radio do this and it’s a feature that makes the show, erm, let’s say “podworthy.” (Apologies to those who hate the “pod-” prefix. At least, you got my drift, right?)

On the other hand, there are things with ROS that have kept putting me off, especially as a podcast. A few of those “pet peeves.”

• “Now the News.” While it’s perfectly natural for a radio show to have to break for news or ads, the disruption is quite annoying on a podcast. The pacing of the show as a whole becomes completely dominated by the breaks. What’s more, the podcast version makes very obvious the fact that discussions started before the break rarely if ever get any resolution after the break. A rebroadcast would allow for seamless editing. In fact, some television shows offer exclusive online content as a way to avoid this problem. Or, more accurately, some television shows use this concept as a way to entice watchers to visit their websites. Neat strategy, powerful concept.
• Length. While the length of the show (a radio “hour”) allows for in-depth discussions, the usual pacing of the show often implies a rather high level of repetition. One gets the impression that the early part of the show contains most of the “good tidbits” one needs to understand what will be discussed later. I often listen to the first part of the show (before the first break) and end up skipping the rest of the show. This could be alleviated with a “best of ROS” podcast. In fact, it’s much less of an issue when the listener knows what to expect.
• Host. Nothing personal. Chris Lydon is certainly a fabulous person and I would feel bad to say anything personal about him even though, to make a point, I have used a provocative title in the past which specifically criticised him. (My point was more about the show as a whole.) In fact, Lydon can be very good as a radio host, as I described in the past. Thing is, Lydon’s interviewing style seems to me more appropriate for a typical radio show than for a podcast. Obviously, he is quite knowledgeable of a wide array of subjects enabling him to relate to his guests. Also, he surely has a “good name” in U.S. journalistic milieus. But, to be perfectly honest, I sometimes feel that his respect for guests and other participants (blog commentators and callers when ROS still had them) is quite selective. In my observation, Lydon also tends to do what Larry King described on the Colbert Report as an “I-show” (host talking about her/his own experience, often preventing a guest to follow a thought). It can be endearing on some radio shows but it seems inappropriate for a podcast. What makes this interviewing style even more awkward is the fact that the show is frequently billed as a “conversation.” In conversation analysis, Lydon’s interviews would merit a lot of discussion.
• Leading questions. While many questions asked on the show do help guests get into interesting issues, many questions sound like “leading” questions. Maybe not to the “how long have you been beating your wife?” extreme, but it does seem that the show is trying to get something specific out of each guest. Appropriate for journalism but awkward for what is billed as a “conversation.” In fact, many “questions” asked on the show are phrased as affirmative utterances instead of actual questions
• Old School Journalism. It may sound like harsh criticism but what I hear from ROS often makes me think that they still believe that some sources are more worthy than others by mere virtue of being “a trusted source.” I’ve been quite critical of what I think of as “groupthink.” Often characterised by the fact that everybody listens, reads, or watches the same sources of information. In Quebec, it’s often Radio-Canada’s television shows. In the U.S., it typically implies that everyone reads the New York Times and thinks of it as their main “source of information.” IMHO, the ROS-NYT connection is a strong one. To me, critical thinking implies a mistrust of specific sources and an ability to process information regardless of the source. I do understand that the NYT is, to several people, the “paper of record” but the very notion of “paper of record” seems outdated in this so-called “Information Age.” In fact, as an outsider, I often find the NYT even more amenable to critical challenge than some other sources. This impression I got even before the scandals which have been plaguing the NYT. In other words, the NYT is the best example of Old School Journalism. Podcasting is going away from Old School Journalism so a podcast version of ROS should go away from NYT groupthink. Lydon’s NYT background is relevant here but what I describe goes much beyond that print newspaper.
• The “Wolfpack.” The community around ROS is fascinating. If I had more time, I might want to spend more time “in” it. Every commentator on the show’s entries has interesting things to say and the comments are sometimes more insightful than the show itself. Yet, as contradictory as it may sound, the ROS “fanbase” makes the show less approachable to new listeners. This one is a common feature of open networks with something of a history but it’s heightened by the way the community is handled in the show. It sometimes seems as though some “frequent contributors” are appreciated more than others. The very fact that some people are mentioned as “frequent contributors to the show” makes the “community” sound more like a clique than like an open forum. While Brendan often brought in some questions from the real-time blog commentators, these questions rarely led to real two-way conversations. The overall effect is more like a typical radio talk show than like a community-oriented podcast.
• Show suggestions. Perhaps because suggestions submitted to the show are quite numerous, very few of these suggestions have been discussed extensively. The “pitch a show idea of your own” concept is helpful but the end-result is that commentators will need to prepare a pitch which might be picked up by a member of the ROS team to be pitched during the team’s meeting. The process is thus convoluted, non-transparent, non-democratic, and cumbersome. To be perfectly honest, it sounds as if it were “lipservice” to the audience instead of being a way to have listeners be part of the show. As a semi-disclaimer, I did pitch several ideas. The one of my ideas which was picked up was completely transformed from my original idea. Nothing wrong with that but it doesn’t make the process feel transparent or open. While a digg-like system for voting on suggestions might be a bit too extreme for a show on public radio, I find myself dreaming for the ROS team working on shows pitched by listeners.
• Time-sensitiveness. Because the show is broadcast and podcast four days a week, the production cycle is particularly tight. In this context, commentators need to post on an entry in a timely fashion to “get the chance to be heard.” Perfectly normal, but not that podfriendly. It seems that the most dedicated listeners are those who listen to the show live while posting comments on the episode’s blog entry. This alienates the actual podcasting audience. Time-shifting is at the very basis of podcasting and many shows had to adapt to this reality (say, for a contest or to get feedback). The time-sensitive nature of ROS strengthens the idea that it’s a radio show which happens to be podcast, contrary to their claims. A weekly podcast would alleviate this problem.
• Gender bias. Though I didn’t really count, it seems to me that a much larger proportion of men than women are interviewed as guests on the show. It even seems that women are only interviewed when the show focuses specifically on gender. Women are then interviewed as women instead of being guests who happen to be females. This is especially flagrant when compared to podcasts and radio shows outside of the U.S. mainstream media. Maybe I’m too gender-conscious but a gender-balanced show often produces a dynamic which is, I would dare say, “friendlier.”
• U.S. focus. While it makes sense that a show produced in Cambridge, MA should focus on the U.S., I naively thought that the ‘I’ in PRI implied a global reach. Many ROS episodes have discussed “international affairs” yet the focus is on “what does it mean for U.S.” This approach is quite far from what I have heard in West Africa, Western Europe, and Canada.

Phew!

Yes, that’s a lot.

Overall, I still enjoyed many things of the show while I was listening to it. I was often compelled to post a blog entry about something I heard on the show which, in itself, is a useful thing about a podcast. But the current format of the show is clearly not what I expect a podcast to be.

Now what? Well, my dream would be a podcast on disparate subjects with the team and clout of ROS but with podcasting in mind, from beginning to end. I imagine the schedule to be more of a weekly wrap-up than a live daily show. As a podcast listener, I tend to prefer weekly shows. In some cases, podcasts serve as a way to incite listeners to listen to the whole show. Makes a lot of sense.

That podcast could include a summary of what was said in the live comments. It could also have guest hosts. And exclusive content. And it could become an excellent place to get insight about a number of things. And I’d listen to it. Carefully.

Some “pie in the sky” wishes.

• Full transcripts. Yes, it takes time and effort, but it brings audio to the blogosphere more than anything else could. Different transcribing services are available for podcasts and members of the team could make this more efficient.
• Categorised feeds. The sadly missed DailySonic podcast had excellent customisation feature. If a mainstream radio station could do it, ROS would be a good candidate for categorised feeds.
• Voting mechanism. Since Slashdot and Digg, voting has probably been the most common form of online participation by people who care about media. Voting on features would make the “pitching” process more than simply finding the right “hook” to make the show relevant. Results are always intriguing in those cases.
• Community guests. People do want to get involved and the ROS community is fascinating. Bringing some members on the podcast could do a lot to give a voice to actual people. The only attempt I remember on ROS was with a kind of answering machine system. Nothing was played on the show. (What I left was arguably not that fascinating but I was surprised nothing came out of it.)
• Guest hosts. Not to go too Bakhtin on y’all, but multiple voices in the same discussion makes for interesting stories. Being a guest host could prove how difficult it is be a host.
• Field assignments. With a wide community of listeners, it could be interesting to have audio from people in other parts of the world, apart from phone interviews. Even an occasional one-minute segment would go a long way to give people exposure to realities outside the United States.
• Social bookmarking. Someone recently posted an advice for a book club. With social bookmarking features, book recommendations could be part of a wider scheme.
• Enhanced audio. While the MP3 version is really necessary, podcasts using enhanced features such as chapters and embedded images can be extremely useful, especially for owners of recent iPod/iPhone.
• Links. ROS is not the only radio show and links are what makes podcasts alive, especially when one is linked to another. In a way, podcasts become an alternate universe through those links.

Ok, I’m getting too far astray from my original ideas about ROS. It must mean that I should leave it at that.

I do sincerely hope that ROS will take an interesting turn. I’ll be watching from my blog aggregator and I might join the ROS community again.

In the meantime, I’ll focus on other podcasts.

Music, Food, Industries, Piracy

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Noticed it in Steal This Film. A very appropriate message. Process over product. Music is not a commodity. Food does not grow on profits.

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Blogosphère cinéphile

Helen Faradji, qui écrivait des éditoriaux sur le cinéma dans l'hebdo «alternatif» montréalais Ici a maintenant son blogue: Arrête ton cinéma!.

Encore une fois, la blogosphère gagne du terrain par rapport aux «média traditionnels». Vas-y Helen!